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MoviesVariety · September 6, 2026

‘Possible Love’ Review: Korean Master Lee Chang-dong Returns With a Beautifully Mature, Quietly Colossal Relationship Drama

What's happening

Lee Chang-dong, one of South Korea's most acclaimed filmmakers, has returned to cinema with a new relationship drama titled 'Possible Love.' The film marks his first feature since 2018's 'Burning,' a critically acclaimed psychological thriller that reached the final shortlist for Best Foreign Language Film at the Academy Awards.

Who's involved

Lee Chang-dong is a South Korean director, screenwriter, and novelist known for crafting deeply introspective films that blend psychological complexity with emotional restraint. His previous work 'Burning' (2018) won the Fipresci International Critics' Prize at Cannes and became the first Korean film to reach the 91st Academy Awards' final shortlist for Best Foreign Language Film.

Why it matters

Lee Chang-dong's return to filmmaking after a six-year hiatus signals a significant moment for art-house cinema and Korean cinema on the international stage. With a track record of critical acclaim and festival recognition, 'Possible Love' has the potential to influence conversations about mature relationship storytelling and reinforce South Korean cinema's place in global film discourse.

The story

After a six-year absence from feature filmmaking, Lee Chang-dong has returned with 'Possible Love,' a relationship drama that Variety describes as beautifully mature and quietly colossal in scope. The film marks a significant moment for one of contemporary cinema's most deliberate and thoughtful practitioners, a director whose previous work has consistently demonstrated a mastery of restraint and psychological depth.

Lee Chang-dong's career trajectory illustrates the evolution of a major auteur. Beginning with 'Green Fish' in 1997, he developed a reputation for films that operate on multiple registers simultaneously—surface narratives that unfold into deeper meditations on human behavior, desire, and moral ambiguity. Works like 'Peppermint Candy' (1999), 'Oasis' (2002), 'Secret Sunshine' (2007), and 'Poetry' (2010) established him as a filmmaker uninterested in easy answers or conventional emotional trajectories. His 2018 film 'Burning,' based on Haruki Murakami's short story, earned widespread critical recognition by achieving both festival prestige and international reach—winning the Fipresci International Critics' Prize at the 71st Cannes Film Festival and becoming the first Korean film to reach the final shortlist for Best Foreign Language Film at the Academy Awards.

According to Variety, 'Possible Love' demonstrates Lee's continued commitment to nuance and behavioral complexity. The review evokes a memorable moment from 'Burning': a scene in which a character mimes eating a tangerine and explains the technique for making the mime convincing—not by pretending a tangerine exists, but by forgetting it does not. This anecdote, drawn from the earlier film, encapsulates Lee's directorial philosophy: the creation of psychological and emotional authenticity through precision of thought and action rather than overt demonstration.

The emergence of 'Possible Love' after such a lengthy interval carries particular weight in an industry often driven by output and commercial momentum. Lee's deliberative approach to filmmaking—evident in his previous features and his parallel work as a novelist—suggests an artist for whom silence and absence between projects carry as much meaning as the finished works themselves. That he has chosen a relationship drama for his return indicates a sustained interest in the intimate architectures of human connection, themes that have animated his career since its inception.

For Korean cinema on the international stage, Lee Chang-dong's return affirms the ongoing vitality and sophistication of filmmaking from the region. With 'Possible Love,' audiences and critics will have the opportunity to assess how his artistic preoccupations have evolved—or deepened—across the intervening years since 'Burning' claimed its place in global film culture.